Dance Again Irish Dance Message Baords

Irish dancers in modern Irish dancing costumes, wearing makeup and ringleted wigs. Each Irish trip the light fantastic schoolhouse has its ain distinctive full skirted dress, frequently featuring lace or an embroidered blueprint copied from the medieval Irish Book of Kells.^[i]

Irish gaelic dancing or Irish gaelic trip the light fantastic is a group of traditional dance forms originating in Ireland which can broadly be divided into social dances and performance dances.

Irish social dancing can be divided further into céilí and set dancing. Irish set dances are quadrilles, danced past four couples arranged in a foursquare, while céilí dances are danced by varied formations (céilí) of two to sixteen people. In addition to their germination, there are significant stylistic differences between these two forms of social dance. Irish social dance is a living tradition, and variations in particular dances are found across the Irish gaelic dancing community; in some places, dances are deliberately modified and new dances are choreographed.

Irish step dancing, popularized in 1994 by the world-famous show Riverdance, is notable for its rapid leg and foot movements, body and arms beingness kept largely stationary. The solo stepdance is mostly characterised by a controlled and rigid upper body, straight arms and back, and quick, precise movements of feet and legs. The solo dances can either be in "soft shoes" or "difficult shoes". Soft shoes are oft called ghillies or pumps. They are constructed of very soft kid leather - similar to ballet shoes in texture. Their laces crisscross beyond the peak of the feet and are tied up either around the talocrural joint or nether the arch of the human foot. Hard shoes are often called heavy shoes or jig shoes. They are used to create the cute rhythmical percussions. They are made of black leather with fiberglass heels and taps on the tips of the shoes with a leather strap beyond the elevation of the human foot.

Contents

• 1 History
• 2 Irish céilí dances
• 3 Irish gaelic prepare dancing
• 4 Irish Step Dancing
  • four.1 Sean-nós dancing in the Irish diaspora
  • 4.ii Old-fashion step dancing
  • 4.3 Dances
  • four.4 Shoes and costume
  • 4.5 Competition structure
• 5 See as well
• 6 References
• vii External links
  • 7.one General information
  • 7.2 Irish Dance Organisations

History

The dancing traditions of Republic of ireland probably grew in close association with traditional Irish music. Although its origins are unclear, Irish dancing was later influenced by trip the light fantastic toe forms from the Continent, especially the Quadrille. Travelling dancing masters taught all over Ireland, every bit late as the 18th and early 19th centuries. During this fourth dimension, places for competitions and fairs were ever small, so in that location was piddling room for the Trip the light fantastic toe Masters to perform. They had to dance on tabletops, sometimes even the tiptop of a barrel. Considering of this, the dancing styles were very contained, with hands rigid at the sides, and a lack of arm movement and travelling across the stage. Information technology is often said that when the British soldiers banned dancing across the land, the Irish would shut the bottom of their doors and proceed to dance simply using their feet—with their arms rigid by their sides. Equally time went on, larger places for dance competitions and performances were plant, and then styles grew to include more movement, more than dancing across the stage as seen, for example, in Riverdance.^[two]

Irish gaelic céilí dances

Irish social, or céilí dances vary widely throughout Ireland and the rest of the earth. A céilí dance may exist performed with as few as two people and every bit many every bit sixteen.

Céilí dances may too exist danced with an unlimited number of couples in a long line or proceeding around in a circle (such every bit in "The Walls of Composition", "The Waves of Tory", "Haymakers Jig", "An Rince Mor" or "Bonfire Trip the light fantastic toe"). Céilí dances are oftentimes fast and some are quite circuitous ("Antrim Reel", "Morris Reel").

In a social setting, a céilí trip the light fantastic may be "called" – that is, the upcoming steps are appear during the trip the light fantastic toe for the benefit of newcomers. The céilí dances are typically danced to Irish instruments such as the Irish bodhrán or fiddle in addition to the concertina (and like instruments), guitar, whistle or flute.

The term céilí dance was invented in the belatedly 19th century by the Gaelic League. Céilí as a noun differs from the adjective céilí. A céilí is a social gathering featuring Irish music and dance. Céilí dancing is a specific blazon of Irish dance. Some céilithe (plural of céilí) will only have céilí dancing, some only have fix dancing, and some will have a mixture.

Irish gaelic set dancing

Irish gaelic set dancing (also referred to as "country fix dancing") are dances based on French quadrilles that were adapted by the Irish by integrating their sean-nós steps and Irish music. The distinguishing characteristics of Irish set dancing is that it is danced in square sets of four couples (eight people), and consist of several "figures," each of which has a number of parts, frequently repeated throughout the set. Each function of the set dance (effigy) is danced to a music tempo, mostly reels, jigs and hornpipes. The sets come up from various parts of Ireland and are ofttimes named for their place of origin; examples are the Corofin Manifestly Set, the South Galway Set and the Clare Lancers Set.

The organisation Comhaltas Ceoltóirí Éireann promotes and hosts many ready dance events.

Irish Step Dancing

Stepdancing every bit a modern form is descended straight from sometime-way step dancing. In that location are several different forms of stepdancing in Republic of ireland (including sean-nós dancing and erstwhile-style stepdancing), but the style most familiar to the public at large is the Munster, or southern, form, which has been formalised by An Coimisiún le Rincí Gaelacha—the Irish Dancing Commission.

Irish gaelic stepdancing is primarily done in competitions, public performances or other formal settings. Nigh competitive dances are solo dances, though many stepdancers also perform and compete using céilí dances.

Sean-nós dancing in the Irish diaspora

Every bit Irish gaelic people immigrate all over the earth, they took their cultural traditions with them. Many people theorise^{[ who? ]} that Sean-nós dancing has influenced diverse other forms of traditional solo trip the light fantastic toe, peculiarly those constitute in areas with strong Irish gaelic communities. Sean-nós dance likely influenced the evolution of many American and Canadian traditional percussive dance forms, such equally buck dancing, flatfooting, bottleneck, and tap dancing. Sean-nós dancing in the United States and Canada is most commonly seen at folk festivals, although trip the light fantastic toe workshops are beginning to innovate the way more widely.

Onetime-style footstep dancing

Old-way step dancing is a tradition related to, yet distinct from, sean-nós dancing, though information technology is sometimes called "Munster-style sean-nós". Old-style step dancing evolved in the late 18th and early on 19th century from the dancing of travelling Irish dance masters. The trip the light fantastic toe masters slowly formalised and transformed both solo and social dances. Mod masters of old-style stride dancing style can trace the lineage of their steps directly back to 18th century dancers.

The Irish gaelic trip the light fantastic masters refined and codified indigenous Irish dance traditions. Rules emerged near proper upper body, arm, and foot placement. Besides, dancers were instructed to dance a step twice—first with the right human foot then with the left. Sometime-style pace dancers dance with artillery loosely (but not rigidly) at their sides. They trip the light fantastic toe in a express space. There is an emphasis on making percussive sound with the toes. The Irish trip the light fantastic masters of this period also choreographed particular steps to item tunes in traditional music creating the solo set dances such as the Blackbird, St. Patrick's Solar day, and the Job of Journey Work, which also persist in modern Irish gaelic stepdancing. In this context, "set dance" signifies a split up tradition from the social dance tradition besides called set dance.

Dances

Irish solo stepdances fall into 2 broad categories based on the shoes worn: difficult shoe (or heavy shoe) and soft shoe (or light shoe) dances.

There are four soft shoe dance styles: the reel, slip jig, light jig and single jig (also referred to as hop jig). Reels have a 4/4 (or sometimes 2/iv or 2/2) time signature. Slip jigs are in nine/8 fourth dimension. Light and single jigs are in six/8 time, with different accent within the measure distinguishing the music. Hard shoe dances include the hornpipe in syncopated two/4 or 4/iv time, the treble jig (as well called the heavy jig or hard jig) in a slow 6/8, the treble reel (heavy trip the light fantastic done to reel music) and traditional sets, which are a group of dances with set music and steps. Many traditional sets have irregular musical phrasing. In that location are too more advanced "non-traditional sets" done by advanced dancers. These have set music, but not steps. There are multiple traditional sets, including St. Patrick'due south Mean solar day, Blackbird, Job of Journeywork, Three Body of water Captains, Garden of Daisies, and Rex of the Fairies.

Competitive dancers mostly dance 4 or 6 steps at a time, depending on their dancing level. Each step lasts 8 bars of music. They are each danced starting with the right foot, and so repeated with the left foot, doing opposite movements. Set dances, even so, take a different format. The dancer unremarkably dances one step, which is express to eight bars, and is then repeated, resembling the steps of other dances. Then the dancer usually dances a "set up" which is not repeated. It is a highly sought afterwards and competitive feat to trip the light fantastic this "third round"—at regional, national, and world competitions, only a small percentage of dancers are invited back to perform, although in the mainland qualifying competition for the World Championships, it is easier to exist good enough to practice it, as in that location are few dancers in that region.

The céilí dances used in competitions are more precise versions of those danced in less formal settings. At that place is a list of 30 céilí dances which have been standardised and published in An Coimisiún'southward Ar Rinncidhe Foirne equally examples of typical Irish gaelic folk dances; these are chosen the "book" dances by competitive stepdancers. Most Irish dancing competitions simply ask for a short piece of any given dance, in the interests of time.

Shoes and costume

There are two types of shoes; soft shoes (too known as ghillies or pumps) and hard shoes. Hard shoes are similar to tap shoes, except that the tips and heels are made of fiberglass, instead of metal, and are significantly bulkier. The first difficult shoes had wooden or leather taps with metallic nails. Later the taps and heels were changed into resin or fiberglass to reduce the weight and to make the sounds louder. The soft shoes, which are called ghillies, are blackness lace-up shoes. Ghillies are only worn by girls, while boys habiliment black leather shoes called "reel shoes", which resemble black jazz shoes with a hard heel. Boy'due south soft-shoe dancing features audible heel clicks. A new trend includes calculation white laces to the soft shoes, and white tape to the straps of the hard shoes in club to give the illusion of elongating the legs.

Several generations ago, the appropriate dress for a competition was simply "Sunday best" (apparel one would wear to church building). Irish Trip the light fantastic schools generally have schoolhouse dresses, worn by lower-level competitors and in public performances. As dancers advance in competition or are given starring roles in public performances, they may get a solo apparel of their own design and colours or wear the team wearing apparel. In the 1970s and 1980s, ornately embroidered dresses became pop. Today even more decoration is used on girls' dresses. Solo dresses are unique to each dancer. Today nearly women and girls wear a wig or hairpiece for a competition, just some still curl their ain pilus. Nearly men wear a shirt, vest, and tie paired with black trousers.

Competition structure

An organized trip the light fantastic toe competition is referred to as a feis (pronounced "fesh", plural feiseanna). The give-and-take feis means "festival" in Irish, and strictly speaking would besides have competitions in music and crafts. Féile (/ˈfeɪlə/) is a more correct term for the dance competition, but the terms may be used interchangeably. Trip the light fantastic competitions are divided by historic period and level of expertise. The names of the levels and other organising rules vary between countries and regions. Dancers are scored based on technique (placement of the anxiety, turn out, off of their heels, etc.), style (grace, power, etc.) and other items such equally timing, rhythm, and sounds in their hard shoe dances.

An annual regional Championship competition is known as an oireachtas (/oʊˈrɒktəs/). An Coimisiún holds various "national" championship competitions. Each of the major Irish step trip the light fantastic toe organisations hosts a premier championship, going by differing titles. An Coimisiún's Earth Championships are the largest, with over 6,000 dancers competing from over 30 countries world-wide. The Aisling (pronounced 'Ashling', Gaelic for dream) is awarded to the highest placing dancer in each category from oversees (Mexico, Central and South America, Europe, Africa and Asia) to encourage them to continue their dream of dancing.

Oireachtas Rince Na Cruinne, or "The World Championships" (for An Coimisiún dancers), first took place in Dublin in 1970 at Coláiste Mhuire, a schoolhouse in Parnell Square. The "Worlds" outgrew its original location and moved effectually the Democracy of Ireland and Northern Ireland. In 2002, for the beginning time, the "Worlds" left Ireland for Glasgow. In 2009, for the first time, the Earth Championships were held in the The states, in Philadelphia. The 2011 championships were held once more in Dublin. The 2012 championships were held in Belfast, with the 2013–2016 Worlds scheduled for Boston, London, Montréal and Glasgow respectively. The BBC documentary film Jig provided an insight into championship level dancers competing in the 2010 World Championships held in Glasgow.^[iii]

An Comhdhail's All Republic of ireland and International championships takes place each Easter week, with the competition being held in Ennis in 2011. The largest NAIDF (Northward American Irish gaelic Dance Federation) competition currently is The Nationals held at Lehigh University in Bethlehem, Pennsylvania, in 2010, and at The Valley Forge Convention Center in Pennsylvania in 2012. The WIDA (World Irish Dance Association), which is mainly dancers from European countries, too hold their own World and European Championships over the Easter calendar week, with the competition being held in Berlin in 2011, and scheduled for Poland in 2012.

See besides

• Set up dance
• Céilidh
• Festival Irish gaelic dance
• Globe Irish Dance Clan

References

1. ↑ Margaret Scanlan (2006). "Culture and Customs of Ireland". p. 163. Greenwood Publishing Group
2. ↑ Royston, Peter Riverdance on Broadway – Study Guide Abhann Productions, p. 17-18
3. ↑ McCarthy, Todd (16 June 2011). "Jig: Film Review". The Hollywood Reporter . Retrieved iv Feb 2012.<templatestyles src="Module:Commendation/CS1/styles.css"></templatestyles>

• Brennan, Helen (1999). The Story of Irish Dancing. Mount Eagle. ISBN0-86322-244-seven.<templatestyles src="Module:Commendation/CS1/styles.css"></templatestyles>
• An Coimisiún le Rincí Gaelacha: Ár Rincí Fóirne [The Irish gaelic Dancing Commission: Our Dancing Staff] (2003). Thirty Popular Céilí Dances. Westside.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
• Cullinane, John (1998). Aspects of the History of Irish Céilí Dancing. Clontarf, Dublin: The Cardinal Remedial Clinic. ISBN0-9527952-2-ane.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
• O'Keeffe, J. Yard.; O'Brien, Art (1902). A Handbook of Irish Dances (1st ed.). Dublin: O'Donochue. OL 7092184M.<templatestyles src="Module:Commendation/CS1/styles.css"></templatestyles>
• Murphy, Pat (1995). Toss the Feathers – Irish Set Dancing. Mercier. ISBNane-85635-115-vii.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
• Murphy, Pat (2000). The Flowing Tide – More than Irish Fix Dancing. Mercier. ISBN1-85635-308-7.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>

External links

General information

• Irish gaelic Dancing & Culture Mag
• Set Dancing News: portal for set up dancing information
• Diddlyi.com: Irish Dance and Music Social Network
• O'Keeffe & O'Brien – A Handbook of Irish gaelic Dance (1902)
• Diochra.com: Discover Irish dance!
• Beginners Guide to Irish gaelic Dancing
• The History of Irish Dance
• Irish Pace Dancing
• Fix Trip the light fantastic
• World Irish Dancing
• Dance didactics database

Irish Dance Organisations

• An Coimisiún le Rincí Gaelacha The Irish Dancing Commission
• An Comhdháil Múinteora Rince Gaelacha Congress of Irish Dance Teachers
• Cumann Rince Náisiúnta (CRN) National Trip the light fantastic Association
• World Irish Dance Association (WIDA)
• North American Irish Trip the light fantastic Federation (NAIDF)
• Irish Dancing Network
• Comhaltas Ceoltóirí Eireann Gathering of Musicians of Republic of ireland
• Cumman Rince Dea Mheasa An Arrangement of Adept Will

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Source: https://infogalactic.com/info/Irish_dance

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